ANDROMEDA
Andromeda – a text about a virus and a young woman chained to a cliff by the sea.
After one dramatic year of the Covid-19 pandemic in lock down in France I needed to write something. I needed to articulate a certain despair, anger or desperation in a script for a performance. I was certain this script had to be poetic, and I had to use the reference of Greek tragedies. I found “Andromeda” by Euripides. A tragedy that exists only as fragments. It was the opening image of Euripides’ tragedy that inspired me: a young virgin chained to a cliff by the sea. This image became the starting point of a poetic journey through the different emotions of this troublesome time, mixing references from several ancient tragedies and the present pandemic. My contemporary text ends as a real tragedy: A colossal poisonous squid sucks the young woman into the depths of the see.
The formal and poetical text consists of 21 sections. It could be performed as a monologue, but in my performance, I used 18 actors. Several physical actions accompanied by baroque and contemporary electronical music with expressionist light design express the drama of the script. The text as such is communicated as pure text without psychological interpretation.
ANDROMEDA
1.
I Andromeda chained to this cliff
As a sacrifice to Poseidon, the god of the sea
My father king Cepheus chose to sacrifice his own daughter
In order to appease the raging black sea
Many are the fathers who are willing to sacrifice their daughters
In one way or another
You see us portrayed as beautiful untouched virgins
Skin the colour of porcelain
We lower our eyes and submit without rebellion
To our fates as sacrificial offerings
Long hair and a transparent silk shawl wavers in the wind
To suggest a titillating sensuality
That interestingly doesn’t come from the victim herself
But from the wind
Somewhere very near a wet excited monster awaits ready to tear us apart
Bite off our heads devour us
In my case we’re talking about a beast from the depths of the sea
Mesonychoteuthis hamiltoni also called colossal octopus
It is 14 meter long and has the largest eyes of all living species
A so-called invertebrate animal but don’t be fooled
The long tentacles have both suction cups and barbs
So that the victim can never escape
Never
The monster is on its way up from the depths of the sea
Now
2
We that are chained up as sacrifices
To cliffs prison walls chairs radiators marriage beds
Are not only deprived of our dignity, whatever that means
We are also deprived of our possibility to affect our destiny
Our destinies are sealed by others
Fathers warlords priests husbands lovers psychopaths
Men with inferiority complexes or other malfunctions
Men on amphetamine
It is however a myth that we lower our eyes
And succumb to our destiny
In the same way that the hair waving in the wind is a myth
And the almost transparent silk shawl that barely hides the flesh
The victim is never beautiful
Despair has no aesthetic element
And the cry of pain has no musical quality
Hyperventilation provoked by anxiety can be said to have a certain rhythm
But so has a machine gun
Spitting bullets
At a victim in flight
3
Andromeda is waiting
The chained one can do nothing but wait
The chained one is cursed not to act not to take any initiative
A curse in itself
Standstill while waiting for pain humiliation death
While waiting for the slimy excited monster to rise up from the sea
With its poisonous tentacles and pointy shiny fangs
Watching us with the largest eyes of all living species before it attacks
In the apparent standstill
In the waiting room at the dentist’s office in front of us on a distant too low table
Old grease-stained magazines with stupefying content
The air bitter with the smell of disinfectants
The silence only broken by the sound of a dental drill penetrating a human body
Through the enamel and into the aching bone
Another victim in a chair you may think
A voluntary victim who met the pain and the humiliation with dignity
In the same way as Andromeda and all the other human sacrifices
Met their fate with dignity
Where the hell does this dignity come from?
And what does the word dignity mean?
When your own father gives you up as a sacrifice to the sea
4
King Oedipus despairs as the people of Thebes die from the plague
He sends a messenger to the Oracle in Delphi
In order to understand the reason for the plague
And what he can do in order to stop its lethal force
He doesn’t know that he himself is the reason for the plague
And that the plague will disappear when he stabs his own eyes out and leaves Thebes
To wander on dusty roads forever as a blind beggar
His own eyes
As a sacrifice to the plague
Thus, we can also sacrifice ourselves, or parts of ourselves
Eyes hands or independence creativity happiness
The human being is in fact a willing victim
And many are those who willingly take on the role as a victim rather than fight
Against monsters from the depth of the sea
How can we fight against terrifying slimy monsters?
How can we fight against toxic tentacles and pointed shiny fangs?
No
Rather let someone chain us up
To cliffs altars prison walls chairs radiators marriage beds
Let someone else be responsible for the tragedy
So, we may suffer in dignity while we await the monsters’ tentacles
And death
5
Andromeda is waiting
Chained to this cliff by the dark sea
While the plague is ravaging Thebes
Because Andromeda is alone and isolated from all others on this cliff
She is perhaps the only one who survives the plague
She is perhaps the only one not being influenced by the virus floating in the wind
Floating lightly unforced in the wind like a transparent shawl
Wrapped around a virgin’s hips
Invisible tiny viral particles dancing through the air over Thebes
From a sick old woman’s coughing mouth to a crying young man’s eyes
From a hand caressing a child’s curly hair
From a kiss from a humid door handle
Andromeda survives a virus
In order to be devoured by an invertebrate animal
Sometimes you really have to ask what it’s all for
Shall Andromeda’s isolation on this damned cliff
Save her life?
Two months confined in a one-room apartment in Italian Bergamo
View to an abandoned slaughterhouse
Outside the window
Forty military trucks transport sealed bags with dead bodies to a cold storage room
In anticipation of cremation
In anticipation of king Oedipus finally stabbing out his eyes and fleeing Thebes
6
Why should I end up in this situation?
Why should I, and my youth be deprived of my freedom?
Why should an invisible enemy restrict my life?
Is the enemy the monster below in the dark sea?
Or is the enemy the tiny invisible particles in the air?
Or does it really matter if the enemy has salacious tentacles or not?
Perhaps it is just a question of dimensions of scale of quantity?
The Chernobyl reactor exploded in the night of the 26th of April 1986
Hundreds of people gathered on a bridge in the nearby city of Pripyat
They were admiring the beautiful light from the fire
And it was quite spectacular the light
Like a vibrating sunset over the dense Ukrainian coniferous forest
At times it resembled dancing northern lights only with a warmer glow
But it wasn’t the visible yellow light that killed all the people on the bridge
No
Death didn’t breathe fire like the dragon
Who in his time guarded the city gate of Thebes
Oedipus conquered that dragon and became king of Thebes
Before this damned plague descended and he stabbed out his own eyes and fled
The people on the bridge in Pripyat died
Like the people in Thebe
Like the people in the sealed body-bags in Bergamo
Of something lethal we cannot even see
7
In a way there is something natural about being eaten by a colossal octopus
It is the order of the nature to eat and to be eaten
It is perhaps not completely natural for a human being to be
On the dinner plate of an octopus
But it is not totally unnatural to be eaten
By someone that is so much bigger than you
Andromeda looked down into the depth in front of her
She saw something moving down there under the surface of the cold water
In a way it is easier to relate to the idea of a quick death
In the mouth of a monster, you can see
Then a slow and equally painful death as the victim of something apparently insignificant
That you cannot see
There is something obscure and almost tragicomic in the act of touching an infected door handle
Of a coffee shop
Rubbing one’s eyes afterwards
And therefore, becoming ill and die
It is not quite up to the standard of what one might expect from life
Or death
The eyes of the Colossal Octopus have a diameter of 27 centimetres
It can see its pray from an extremely long distance in the cold dark water
The Colossal Octopus consists in addition to its eyes mainly of muscles and suction cups
And its poisonous tentacles have as already mentioned hooks
When it attacks you, it is at least a clear-cut situation
8
Studying classical literature and visual art
One can easily think that men must have a fascination for beautiful naked virgins
Presented as sacrificial gifts to ferocious monsters
I would rather avoid a psychoanalytical perspective on this phenomenon
I don’t want to know what Freud thought this might signify regarding man’s nature
Fortunately, there are examples of young boys
Also being placed on the altar by their fathers or priests with knives in their hands
The Inca priests cut up the thorax of young men and pulled out their hearts
The heart should still be beating in the bloody hands of the priest before the victim died
And then the awaited rain came, and the harvest was saved
And fortunately for all men a woman named Medea sacrificed her own two boys with a knife
As revenge
But regarding one thing they were all wrong the writers the painters the sculptors
The victims are not beautiful
If you are chained up in front of the monster
To cliffs alters prison walls radiators marriage beds
Then immediately an aesthetic decomposition process starts
The eyes lose their radiance the skin dries crack up
The body’s surface is filled with eczema liquid-filled abscesses and itching blisters
The hair dries and falls off in tufts
Death begins its decomposition from the outside
Long before the monster’s teeth and poisonous tentacles have slashed into you
9
The state of degradation has lasted for a long time now
We will never return to the innocent condition before the plague
We will never embrace a person with the same ease
We will never kiss a person without a hint of anxiety
We will always be worried if someone coughs in our proximity
We the people of Thebes put our trust in the oracle in Delphi and you king Oedipus
You that in your time fought the fire-breathing dragon
Look at us Oedipus see our sore skin see our dry hair
Death paints its grey and gloomy stamp on the surfaces of the bodies
Not because we suffer from a distinct disease
No
The symptoms are stress-related
We look ill because deep inside we know that soon we will become sick and die
We have lost the joy that presupposes a certain lightness of being
In the same way as Andromeda
Who technically could have said
That she is only sunbathing on a lovely cliff by the azure-blue Aegean Sea
Before the plague people paid lots of money to go there on holiday
A boat sails slowly past Andromeda with sunburned Scandinavian tourists
They are looking forward to eating tzatziki and grilled octopus in a nearby village
They are waving
But Andromeda’s heart beats faster she pulls on the chains and gasps for air
She seems to see the monster’s tentacles on their way up from the depths
10
Can fear of death
Kill?
Can the fear of a catastrophe activate the catastrophe itself?
Yes
Fear of death makes the body secrete a biochemical stress hormone
Called adrenaline
The function of the stress hormone is to liberate the last energy reserves of the body
As preparation for escape or deadly fight
But have you ever wondered why aggressive dogs seem to bark and growl more
At the very people who are afraid of dogs?
They can smell the adrenaline they can simply smell that you are afraid
And so, they define you as pray and they define you as food
The fear of getting bitten causes you to be bitten
Deep down under the surface of the sea a 14-meter-long sea monster moves
Andromeda’s fear and anxiety seep out as invisible particles from her body
The particles dance and evaporate in the air
Smaller than pollen smaller than dust minuscule biochemical stress hormones
Totally invisible and smaller than plankton they sink slowly into the water
The anxiety particles spread around Andromeda just as undetected as a virus
And deep down in the dark
Down in the slimy turbidity at the bottom deep under the azure blue surface
Deep down there a colossal octopus with gigantic eyes begins
To sense
That a warm-blooded mammal is available on today’s menu card
11
The sailboat with the sunburned Scandinavian tourists
Cruises slowly past Andromeda
With binoculars the men watch the young woman standing at the end of the cliff
It looks like she is waving at them
How beautiful she is, they think but they don’t say it out loud
How beautiful it is here one of the ladies is saying loudly the light is stunning
And the azure-blue water shines like silver in the sun
How magnificent life can be sometimes she says quietly to herself
They all look at her and smile
Sailing further away from Andromeda around the cliff towards the village
Where they will eat tzatziki and grilled squid
But there, on the large island behind the cliff
The tourists could have seen it if they had only looked closer
Thirteen hundred white tents
Thousands of desperate people
Victims of a civil war
With memories filled with indescribable horrors cruel images of boundless violence
Sick children and tired grown ups without a future
Andromeda on the cliff is a sacrifice to the god of the sea Poseidon
The people in the tents are just victims
It is difficult to say of what god of which society of which ideology
Or of which plague
Or what kind of virus, that is to blame for it all
12
A catastrophe is something that happens far away
Or in another era
If something inappropriate or unforeseen should happen here to us now
We can only speak of something unfortunate or in worst case of bad luck
It is interesting that these two words contain the terms fortune and luck
Those annoying episodes are only something that limit our luck and our fortune
A little bit
It is a good thing that our language thereby gives us a certain assurance that
Everything is just fine
And that fortune and luck are basic elements in our lives
It isn’t like that in all languages, and it isn’t like that all over the world
Some places catastrophes in one form or another is a daily phenomenon
People there are more exposed to the cruel and the evil
Which are integral ingredients of our planet
So, what happens when something that actually is a catastrophe occurs?
And spreads all over the world
Also, to us
First is happened far away and had something to do with a bat
So, we reckoned that this wouldn’t concern us
Or only marginally we are used to sending aid to all kinds of lousy places
But even after we have also become victims and people are dying
It is as if we don’t really understand that we are just as vulnerable
As all other victims
In a catastrophe
13
The plague was raging in Thebes
It was a true catastrophe and people died like flies
But Thebes` population wasn’t without well-established procedures in such a situation
No
A representative was sent to the oracle in Delphi
They got an answer from the oracle acted accordingly and the plague disappeared
At all times
People in emergencies have listened to oracles, priests, witches and wizards
At all times
People have sacrificed virgins or young men or flowers or food or gold
To appease the gods and prevent the horrible
A clear answer and a clear action always create assurance
Even if it is totally wrong
Sacrificing something you love always feels like a strong and convincing action
For Andromeda’s father king Cepheus, it was horrible to sacrifice his own daughter
But the action was so groundbreaking and brutal that it had to have an effect
On the wild deep sea that had devoured so many of his soldiers
Either the wind stopped, and the sea calmed after the oblation had been eaten
Or if not, it was a clear sign that the oblation hadn’t been significant enough
The sea god Poseidon demanded hundred virgins and that is also a clear answer
The immense despair the desperation
Occurs
When there are no answers
14
A series of unfortunate circumstances and misunderstandings
Had led the young king Oedipus of Thebes
To killing his father, king Laius
And marrying his mother queen Jokaste
Anyone can understand that a state having such a king would invoke the wrath of the gods
The plague was a considerable and clear punishment for the king’s actions
And when Oedipus stabbed out his eyes and left Thebes
After queen Jokaste had hanged herself in her own bedroom
Yes, then the plague disappeared just as suddenly as it had occurred
For human beings such a clear relationship between cause and effect is reassuring
It is basically rational for the human being
That there is an immoral reason for a catastrophe like the plague in Thebes
Such as the king has married his mother
Or chopped down the rainforest
Or done bad maintenance at the nuclear power plant
Or contaminated the soil with toxins
Or started a war
Or developed biological weapons
What is terribly difficult for the human being to accept
And what is almost worse than the plague worse than the catastrophe
Is when there is no rational reason for the catastrophe to happen
There is no one to blame
There are no gods to complain to
No one
To whom one can sacrifice a virgin
15
I Andromeda listen to the voice of the sea
While the sun sets over the horizon
While the sun god’s warmth is gradually replaced by the sea god’s humid cold
My body is shivering
I don’t know for certain if my body is shivering from cold or from fear
But the white foam from the waves starts licking my ankles
And I don’t think it is the wind that makes the surface of the sea foam
There is nothing in the air that brings the sea into turmoil
No
There is something in the sea itself
Something down in the depths
It has been said that I Andromeda talked with my own echo
But an endless ocean surface has no echo
Poseidon the god of the sea has his own voice
The ocean has its own agenda its own will its own force
And it is a violent prehistoric force
That contains so many atrocities so many monsters so many beasts
There, under the surface
There, in the cold darkness under the shiny azure-blue surface
Deep down under the waves
Under the white sailboat that slowly passes me over the turbulent waves
Is death itself
And it is the people in this white sailboat that are going to take Andromeda’s soul
Down to Hades down to hell
16
Tiny invisible particles float in the wind
They are like microscopic butterflies
Searching for a tasty colourful flower
Finally, they land on a door handle
Shining like silver in the strong sunlight
And they can live there for a long time the cold metal is good to rest on
But then a hand touches the elegant door handle and opens the door
A delightful fragrance of freshly brewed coffee fills the air
The hand moves up towards the young man’s face and removes the sun glasses
And wipes away a tear from the left eye
A tear of happiness
He is in love
And he is now going to meet his beautiful girlfriend
Andromeda wasn’t to meet a handsome boyfriend
No
She was to meet a 14-meter-long monster with poisonous tentacles and suction cups
But the result was almost the same
Or to be quite precise
It wasn’t the young man’s beautiful girlfriend that was going to eat him alive
Suck out his life force kill him pull him down to the bottom of the sea
No
His girlfriend wasn’t a terrible killing machine like the colossal octopus
No
His girlfriend also got ill but not as ill as the young man
He died
And ended up in a sealed plastic bag on a military truck in Bergamo
On the way to the cold storage room in an abandoned slaughterhouse
No
The killing machine the sea monster the beast from the black depth
Was an invisible virus particle on a door handle
17
I am Andromeda
Chained to a cursed cliff by the sea
Locked up in a one-room apartment in Bergamo next to an abandoned slaughterhouse
In quarantine in a frying hot loft apartment in Paris
I am an actor with digital home office
To be or not to be that is the fucking question
I am a prostitute with a surgical facemask and antibac
Searching for paying monsters from the depths of the ocean
I am an old man shouting out load my hatred spitting virus infected particles
I am a temporary laid off teacher embracing a crying child in the street
And coughing
I throw myself in front of the tram the train the bus down the cliff the elevator shaft
I eat deadly poison stale meat hallucinatory mushrooms
I inject my blood vessels with heroine
And I am still Andromeda
The sea monster’s poisonous tentacles caress my naked feet
The tentacles sling themselves around my thighs the poison is quickly injected through the pores
Give me the poison give me the plague
Put me in a sealed plastic bag drive me to the cold storage room
Give me freedom
From the fear of death
Give me the painful death so that I no longer have to fear it
18
The wind increases it has changed direction
The water is foaming the waves crash against the cliff the ocean is in revolt
Red poisonous tentacles have risen from the depths
The sky darkens by black clouds
The Scandinavian tourists in the sailing boat try to keep the boat on course
But the sail is torn by a violent gust of wind the mast breaks
The waves beat the boat that is drawn towards the cliff
The sea monster’s tentacles suck on Andromeda’s thighs
The sea god Poseidon is getting ready to receive his sacrificial gift
While the plague is ravaging Thebes without mercy
While useless facemasks are flown in by military aircrafts from China
While radioactive respirators from Russia self-ignite and burn
While doctors tie coffee-filters around mouth and nose
And plead King Oedipus to close the slaughterhouses
Where Eastern European slave workers are sacrificed to the virus to the plague
Dead animals and farmed fish stuffed with antibiotics
And endangered animals
Bred for the genetically modified food industry
Wrapped in sealed plastic bags together with tentacles from poisonous octopuses
And thrown after sell by date into the cold storage room
A hurt bat restlessly flutters over the stale carcasses
At the marked place in Thebes
19
Andromeda is pulled into the water
Or is it the sea level that is rising
Yes
The sea god Poseidon extends his floating kingdom of hydrogen and oxygen
The oceans are rising
Huge land areas are flooded
Cornfields rice fields villages metropolises disappear under cold murky water
People flee towards the mountains the cliffs the upper floors of the high-rice buildings
Giant waves rise and crush century-old civilizations
And suck civilization residues into the sea down to the depths when they retract
The poison from the sea monster’s tentacles swim inside Andromeda’s blood vessels
Finds its way to the brain to the mind to the conciseness creating new images
She sees the white dressed people from the crushed sailboat
Their sun burned inflamed skin is as red and shiny as the colossal octopus’
They walk from the wreckage walk on the water dance effortlessly on the waves smile
Their sun-bleached hair vibrate in the strong wind
The violent wind gusts are filled with invisible virus particles
From the plague in Thebes
And there in Thebes the graveyards are full the temples closed and the priests dead
There in Thebes there are no one left to conciliate the sea god with gifts
No fathers with knives and not even Medea
And no innocent virgins to sacrifice
20
Everything was out of control
Already before the plague before a deadly virus had spread its particles in the wind
Already before a hurt bat landed on an endangered animal’s stale carcass
At the meat marked in Thebes
Already before king Cepheus decided to sacrifice his own daughter
Already before the young Oedipus killed the dragon that guarded the gate in Thebes
Everything was out of control
Perhaps it started when Prometheus stole the gods’ fire and gave it to the humans
And then it didn’t really take long before the Chernobyl nuclear power plant exploded
Before the invisible particles started to appear in the air the soil the drinking water
Before the clear blue sky became darkened by carbon monoxide from human greed
Greed totally indifferent to the army of slave workers
Indifferent to the army of children
Barefooted searching for stale meat in sealed plastic bags on garbage dumps
The winds and the ocean currents changed directions
The temperature rose and the metropolises became inhabitable
And then the water came
Then came the punishment from the sea god Poseidon
Or admonition or reprimand or correction
Or quite simply his attempt to restore the divine order
Or was it a thank you for the gift?
21
I am Andromeda
The sacrifice to the sea god Poseidon
I am the young woman breathing into the fire
Distracting the maintenance crew at the Chernobyl nuclear power plant
Cutting up stale meat at the market in Thebes
Selling it to children
Give me a larger knife give me a virus
And put a stale world on my butcher’s bench
I sacrificed my youth my beauty my intellect my analytical skills
I sacrifice my father king Cepheus and I sacrifice with by knife all mothers of all times
Mothers that have given birth to all those infecting this world with their greed
Their pollution their biological warfare their dirty bombs their automatic guns
Their ecological catastrophe
And their indifference
I am Andromeda
Proud and without fear I stand here on this cliff
The monster from the depths of the sea holds me trapped with its poisonous tentacles
The poison is injected irregularly in my body while the beast is looking at me
With the biggest eyes of all living species
The colossal octopus opens his jaws
I look into an infinite black darkness
And because I willingly let myself be sacrificed
It is no longer the water level that is rising
No
No
The catastrophe is averted
It is I
That is pulled down into the deep